About Bridget Riley: Selected Writings 1999–2016
Edited by Doro Globus and Karsten Schubert
The present volume includes the vast majority of significant essays on Bridget Riley written since 1999. This was a particularly fruitful period in the reception of her work, as the discourse broadened and her reputation as one of the most important painters of her generation solidified.
The essays range from biographical and career overviews to detailed analysis of specific aspects or themes that occur throughout Riley’s career. The selection reflects a rich body of work, which sustains the interest of important authors, as evidenced by multiple pieces by Éric de Chassey, Lynne Cooke, Robert Kudielka, Paul Moorhouse, and Richard Shiff. Together, this volume of essays tells the story of an artist whose art has continuously evolved over nearly six decades.
Most of the critical texts have been written in close consultation with the artist, the result of long conversations, studio visits and archive access. Largely commissioned on the occasion of particular exhibitions, these essays track and trace Riley’s focus and influences at different moments in time. Each essay builds upon the next, with more recent authors clearly responding and referencing earlier discourse. The result is a collection of great breadth and cohesion.
An important resource, About Bridget Riley represents a monumental body of research and analysis by some of the most important art historians of today. It also offers the opportunity for the reader and the viewer to approach Riley from a plethora of perspectives to form their own view, much reflecting Riley’s own particular approach to art history. As John Elderfield puts it: "Effectively, Riley makes a pact with the viewer, through the medium of the painting, that they will collaborate in eliciting from a particular painting a particular sort of mobile visual array. And, when the viewer stops looking at the painting, it will therefore be as if leaving something that continues to go on."
Texts by Michael Bracewell, Nadia Chalbi, Eric de Chassey, Lynne Cooke, Jonathan Crary, John Elderfield, Lucius Grisebach, Martin Hentschel, Dave Hickey, Robert Kudielka, Anne Montfort, Paul Moorhouse, Marla Prather, Karen Serres, Richard Shiff, Frances Spalding, Barnaby Wright and Semir Zeki
Artists: Bridget Riley
Contributors: Doro Globus, Karsten Schubert
Publication Date: 2017
Dimensions: 5 3/4 x 9 in | 14.6 x 22.9 cm
Reproductions: 100 color
Retail: $35 | £25
One of the most significant artists working today, Bridget Riley’s dedication to the interaction of form and color has led to a continued exploration of perception. From the early 1960s, she has used elementary shapes such as lines, circles, curves, and squares to create visual experiences that actively engage the viewer, at times triggering optical sensations of vibration and movement. Her earliest black-and-white compositions offer impressions of several other pigments, while ensuing, multi-chromatic works present color as an active component. Although abstract, her practice is closely linked with nature, which she understands to be “the dynamism of visual forces—an event rather than an appearance.”