Social Forms: A Short History of Political Art
By Christian Viveros-Fauné
In an increasingly polarized world, with shifting and extreme politics, Social Forms illustrates artists at the forefront of political and social resistance. Highlighting different moments of crisis and how these are reflected and preserved through crucial artworks, it also asks how to make art in the age of Brexit, Trump, and the refugee and climate crises.
In Social Forms: A Short History of Political Art, renowned critic, curator, and writer Christian Viveros-Fauné has picked fifty representative artworks—from Francisco de Goya’s The Disasters of War (1810–1820) to David Hammons’s In the Hood (1993)—that give voice to some of modern art’s strongest calls to political action. In accessible and witty entries on each piece, Viveros-Fauné paints a picture of the context in which each work was created, the artist’s background, and the historical impact of each contribution. At times artists create projects that subvert existing power structures; at other moments they make artwork so powerful it challenges the very fabric of society. Whether it is Picasso’s Guernica and its place at the 1937 Worlds Fair, or Jenny Holzer’s Truisms (1977–1979), which still stop us in our tracks, this book tells the story behind some of the most important and unexpected encounters between artworks and the real worlds they engage with.
Never professing to be a definitive history of political art, Social Forms delivers a unique and compelling portrait of how artists during the last 150 years have dealt with changing political systems, the violence of modern warfare, the rise of consumer culture worldwide, the prevalence of inequality and racism, and the challenges of technology.
Publisher: David Zwirner Books
Contributors: Christian Viveros-Fauné
Publication Date: 2018
Dimensions: 8 × 10 ½ in | 20.3 × 26.7 cm
Pages: 128 pages
Reproductions: 50 color
Retail: $29.95 | £25 | €34
Christian Viveros-Fauné is curator-at-large at the University of South Florida Contemporary Art Museum and Kennedy Family Visiting Scholar at the USF School of Art and Art History. He was awarded Creative Capital/Warhol Foundation Grant for arts writing in 2010, was named critic in residence at the Bronx Museum in 2011, and has been a lecturer at Yale University, Pratt University and Holland’s Gerrit Rietveld Academie. He writes regularly for ArtReview, Sotheby’s in other words, and The Art Newspaper. He has curated numerous museum exhibitions around the world and is the author of several books.