Raymond Pettibon: Homo Americanus
Foreword by Dirk Luckow and Sabine Breitwieser. Introduction by Ulrich Loock and Harald Falckenberg. Texts by Ulrich Loock, Raymond Pettibon, and Lucas Zwirner
Philosophically profound, deeply literary and biting in his satire, Raymond Pettibon is the foremost draftsman of his generation, and one of America’s most important contemporary artists. Approaching “high” and “low” subject matter with equal appetite and comfort, Pettibon plumbs the depths of American sexuality, politics, subcultures, mores, and intellectual histories through themes ranging from Shakespeare to Gumby, surfers to the Bible, baseball to German Romanticism.
Published on the occasion of his major European traveling retrospective at the Deichtorhallen Hamburg – Sammlung Falckenberg, Raymond Pettibon: Homo Americanus presents over six hundred works from every part of the artist’s career, the majority of which have never been shown before. Arranged thematically in thirty-two chapters, this unique catalogue charts the appearance and development of the themes that have come to define Pettibon’s expansive oeuvre. Different sections are introduced with excerpts from interviews conducted with the artist, and are further discussed in a detailed appendix by curator Ulrich Loock. Beyond shedding valuable light on the genesis and cross-pollination of Pettibon’s thematic interests, this catalogue is the first to tackle the artist’s work as a whole—as a kind of hive mind of American culture whose various branches constantly address and reinterpret one another. Of particular interest are Pettibon’s own readings of individual works in the book. In excerpts paired with corresponding images, Pettibon guides readers through his complex, often meandering turns of thought; never condescending, they invite readers to enter more deeply into his thinking without sacrificing the intellectual rigor and sense of mystery that makes Pettibon’s work so compelling and challenging. The book includes a complete facsimile of his first artists’ book, Captive Chains—almost entirely unavailable for decades—in addition to numerous early drawings completed with his nephew, record covers, flyers, and sections dedicated to collages and drawings from the 1980s to today. Also featured are biographical notes compiled by Lucas Zwirner, offering a nuanced, insightful reading of Pettibon’s history, whose early life and work is often simplified and categorically tied to punk rock, and instead underscores the complexities surrounding the artist’s long-standing relationship with art, literature, and American culture. This unparalleled selection of Pettibon’s work is the definitive single volume for novices and experts alike.
Publisher: David Zwirner Books / Deichtorhallen Hamburg – Sammlung Falckenberg
Artists: Raymond Pettibon
Contributors: Ulrich Loock, Raymond Pettibon, Lucas Zwirner
Designer: Sarah Lamparter, Büro Otto Sauhaus
Printer: VeronaLibri, Verona, Italy
Publication Date: 2016
Dimensions: 7 x 10 1/4 in | 17.8 x 26 cm
Reproductions: 575 color
Retail: $70 | £55
Raymond Pettibon (b. 1957, Tucson) is known for his work that embraces a wide spectrum of American high and low culture, from the deviations of marginal youth to art history, literature, sports, religion, politics, and sexuality. Taking their points of departure in the Southern California punk-rock culture of the late 1970s and 1980s and the do-it-yourself aesthetic of album covers, comics, concert flyers, and fanzines that characterized the movement, his drawings have come to occupy their own genre of potent and dynamic artistic commentary, ranging from punchy and political to high literary and extremely poetic.
All Raymond Pettibon books
Ulrich Loock was born in 1953 in Braunschweig, Germany. He was Director of Kunsthalle Bern from 1985–1997, Director of Kunstmuseum Luzern, Lucerne, Switzerland from 1997–2001, and Deputy Director of Museu de Serralves, Porto, Portugal from 2003–2010. He currently lives and works in Berlin as an independent curator, art critic, and lecturer. He has curated numerous exhibitions of artists such as Michael Asher, Matthew Barney, Marlene Dumas, Robert Gober, Katharina Grosse, Eberhard Havekost, Maria Lassnig, Sol LeWitt, Brice Marden, Gerhard Richter, Wilhelm Sasnal, Thomas Schu¨tte, Thomas Struth, Luc Tuymans, and Christopher Wool. Loock also wrote the essay for Al Taylor: Rim Jobs and Sideffects (2011), co-published by David Zwirner and Steidl.
Lucas Zwirner is head of content at David Zwirner where he oversees all aspects of gallery publishing through books, web, video, and the podcast Dialogues.