Michaël Borremans: Magnetics

Text by Christine Kintisch

Belgian artist Michaël Borremans (born 1963) is among the most brilliant painters of emotion of the past half-century. An heir to the sober, enigmatic character studies of Manet and Velazquez and the thick indoor atmospheres of Vermeer, Borremans has greatly advanced this tradition, in part through his incorporation of cinematic allusion and of that uniquely Belgian take on Surrealism that is at once deeply phlegmatic and bizarrely comical. Any divisions between realism and flights of fantasy are mysteriously abolished by Borremans, however, leaving the viewer to confront his intense, almost claustrophobic painterly world. Published for an exhibition at BAWAG Contemporary in Vienna, Magnetics presents a concise selection of a dozen canvases made over the past five years, examined in dialogue with the artist’s drawings and films.

$25.00

Publisher: Hatje Cantz

Artists: Michaël Borremans

Contributors: Christine Kintisch

Publication Date: 2012

Binding: Softcover

Dimensions: 4 1/4 x 6 1/2 in (10.8 x 16.5 cm)

Pages: 60

Reproductions: 16 color

ISBN: 9783775735018

Retail: $25 US & Canada | £15 | €19

Status: Available

Stock: Unavailable

Stock: Out of Stock

Michaël Borremans

Michaël Borremans was born in 1963 in Geraardsbergen, Belgium. In 1996, he received his M.F.A. from Hogeschool voor Wetenschap en Kunst, Campus St. Lucas, in Ghent. David Zwirner has represented the artist’s works since 2001. Previous solo exhibitions at the gallery include Black Mould (London, 2015) The Devil’s Dress (New York, 2011), Taking Turns (New York, 2009), Horse Hunting (New York, 2006), and Trickland (New York, 2003). Borremans’s work has been the subject of solo exhibitions at a number of prominent institutions. Most recently, Michaël Borremans: Fixture, was presented at the Centro de Arte Contemporáneo de Málaga in 2015–2016. A major museum survey, Michaël Borremans: As sweet as it gets, which included one hundred works from the past two decades, was on view at the Palais des Beaux-Arts in Brussels in 2014. The exhibition traveled later in the year to the Tel Aviv Museum of Art, followed by the Dallas Museum of Art in 2015. Michaël Borremans: The Advantage, the artist’s first museum solo show in Japan, was also on view in 2014 at the Hara Museum of Contemporary Art, Tokyo.

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