Mamma Andersson: Memory Banks
Edited with text by Kevin Moore
Painters often draw from existing visual materials, such as photographs and reproductions of past works of art, to inspire and construct their work. Swedish artist Mamma Andersson (born 1962)—known for her dreamlike, faintly narrative compositions inspired by Nordic painting, folk art and cinema—is no exception.
But Andersson takes this process a step or two further, importing images of stacks of books and stray photographs, clipped from various sources, directly into her painted compositions. With careful observation, Andersson's dreamy landscapes and interiors slowly come to reveal common imagery and accumulated biblio-ephemera filtered through, and sharing space with, the artist's muted palette, melancholic scenery and textural paint. Mamma Andersson: Memory Banks focuses on this aspect of Andersson's painting practice, exploring how her use of appropriation and collage charges her paintings with an eerie, uncanny sense of familiarity.
Artists: Mamma Andersson
Contributors: Kevin Moore
Publication Date: November 2018
Dimensions: 9 3/4 x 12 1/4 in | 24.77 x 31.12 cm
Reproductions: Illustrated throughout
Retail: $45 | £35 | €40
Born 1962 in Luleå, Sweden, Mamma Andersson studied at the Royal University College of Fine Arts, Stockholm, from 1986 to 1993. Her work has been represented by David Zwirner since 2004. She has had two solo exhibitions at the gallery in New York, including her United States debut in 2006. Her second gallery show in 2010, titled Who is sleeping on my pillow, marked the first time she exhibited alongside her artist-husband Jockum Nordström in concurrent solo exhibitions. She had her first museum solo exhibition in the United States at the Aspen Art Museum, Colorado, in 2010, and her first solo exhibition in Ireland at the Douglas Hyde Gallery, Dublin, in 2009. In 2006, the artist won the Carnegie Art Award, a prestigious prize for Nordic contemporary painting, which received a corresponding exhibition that traveled extensively throughout Europe. In 2007, she was the subject of a critically acclaimed, mid-career survey at the Moderna Museet, Stockholm, which traveled to the Kunsthalle Helsinki and the Camden Arts Centre, London. Her work was represented in the Nordic Pavilion at the 50th Venice Biennale (2003). Andersson’s works are included in prominent collections internationally, including the Dallas Museum of Art; Hammer Museum, Los Angeles; Museum of Contemporary Art, Los Angeles; The Museum of Modern Art, New York; and the Moderna Museet, Stockholm.