Luc Tuymans Catalogue Raisonné of Paintings: Volume 3
Edited with text by Eva Meyer-Hermann
The third volume of the catalogue raisonne´ of Luc Tuymans’s paintings, surveying nearly two hundred works, charts the artist’s investigation into painting’s relationship to history and technology.
Tuymans is widely credited with having contributed to the revival of painting in the 1990s. His sparsely colored, figurative works speak in a quiet, restrained, and at times unsettling voice and are typically painted from preexisting imagery that includes photographs and video stills. The works in this volume, made between 2007 to 2018, show Tuymans at his most virtuosic, subtly but provocatively addressing a range of topics including religion, corporatization, and cultural memory, in addition to modernism and the history of painting. The internet, in particular, is central to these works as is the screen—leading to a new style of contemporary image. The works are mediatized to the nth degree, despite the artist’s continuous use of the traditional medium of painting. There is a certain kind of light that comes out of a screen, which can be found in Tuymans’s recent paintings.
This volume includes an editor’s note by Eva Meyer-Hermann and an illustrated chronology with archival images and installation views of the featured works. It also presents brilliant color reproductions of each painting from this period. This publication is a testament to Tuymans’s persistent assertion of the relevance and importance of painting—a conviction that he maintains even in today’s digital world, when his work continues to be a touchstone for artists and scholars.
Publisher: David Zwirner Books/Yale University Press
Artists: Luc Tuymans
Designer: McCall Associates
Printer: Trifolio, Verona
Publication Date: 2019
Binding: Hardcover with slipcase
Dimensions: 9 ¼ ×12 in | 23.2 × 30.5 cm
Reproductions: 179 color
Retail: $200 | £165 | €224
Luc Tuymans (b. 1958, Mortsel) is a Belgian artist who is internationally known for his paintings that engage equally with questions of history and its representation as with quotidian subject matter cast in unfamiliar and eerie light. Painted from preexisting imagery, his works often appear slightly out-of-focus and sparsely colored, like third-degree abstractions from reality. Whereas earlier works were based on magazine pictures, drawings, television footage, and Polaroids, recent source images include material accessed online and the artist’s own iPhone photos, printed out and sometimes re-photographed several times. Since the 1980s, Tuymans has steadily exhibited in the United States, Europe, and abroad, and his work is represented in major museum collections.