High Art: Public Art on the High Line
The Definitive Book on the First Five Years of High Line Art
Edited by Cecilia Alemani. Foreword by Donald R. Mullen, Jr. Texts by Johanna Burton, Adrienne Edwards, Melanie Kress, Kevin McGarry, and Linda Yablonsky. Roundtable discussion by Cecilia Alemani, Nicholas Baume, Renaud Proch, Sara Reisman, Manon Slome, and Nato Thompson.
Presented by Friends of the High Line, High Line Art is pleased to announce High Art: Public Art on the High Line, the definitive book on the first five years of High Line Art. This catalogue surveys over 100 public art projects on the High Line, the unique elevated park in New York City created through the repurposing of an abandoned railway line. Since 2009, when the High Line opened to the public, over 23 million visitors have been witness to public art projects by over 120 national and international artists, animating the grounds of this unique \"park in the sky.\" The works include sculpture, installation, billboards, video, performance, and sound works by a range of artists, from established figures such as John Baldessari, El Anatsui, Maurizio Cattelan, Gilbert & George, and Ed Ruscha, to critically acclaimed mid-career artists such as Carol Bove, Raymond Pettibon, Sarah Sze, and Mark Grotjahn. The High Line is steadily broadening the audience for contemporary art while pushing the boundaries of traditional public art programs.
This beautifully illustrated volume presents High Line Art’s diverse projects thematically, including full-color images and short texts on artworks, artists’s texts, an introduction by High Line Art Director & Chief Curator Cecilia Alemani, an essay on the history of Chelsea and the Meatpacking District by art critic Linda Yablonsky, as well as original texts by Johanna Burton, Adrienne Edwards, Melanie Kress, and Kevin McGarry. The book also features a roundtable discussion about public art today featuring Cecilia Alemani, Nicholas Baume, Renaud Proch, Manon Slome, Sara Reisman, and Nato Thompson.
Publisher: Skira Rizzoli
Artists: Raymond Pettibon, Carol Bove
Contributors: Cecilia Alemani, Nicholas Baume, Johanna Burton, Adrienne Edwards, Melanie Kress, Kevin McGarry, Donald R. Mullen, Jr., Renaud Proch, Sara Reisman, Manon Slome, Nato Thompson, and Linda Yablonsky
Publication Date: 2015
Binding: Softcover, flexi-bound
Dimensions: 7 3/4 x 10 1/4 in (19.7 x 26 cm)
Reproductions: 200 color
Retail: $45 US & Canada | £27 | €37
Raymond Pettibon (b. 1957, Tucson) is known for his work that embraces a wide spectrum of American high and low culture, from the deviations of marginal youth to art history, literature, sports, religion, politics, and sexuality. Taking their points of departure in the Southern California punk-rock culture of the late 1970s and 1980s and the do-it-yourself aesthetic of album covers, comics, concert flyers, and fanzines that characterized the movement, his drawings have come to occupy their own genre of potent and dynamic artistic commentary, ranging from punchy and political to high literary and extremely poetic.
All Raymond Pettibon books
Carol Bove (b. 1971, Geneva) is an American artist known for her simple yet intricate assemblages of found and made objects. Carefully arranged on pedestals, elevated platforms, or directly against walls and ceilings, these yield unexpected, poetic, and multilayered meanings, which seem to derive from the composition of the objects rather than the inherent substance of the individual components. Using a wide range of materials, including books, driftwood, peacock feathers, metal, concrete, foam, and loans from other artists, Bove’s works are subtle assemblages resisting categorization despite their determined relationships with modernist display methods.