From All Sides: Tansaekhwa On Abstraction
By Joan Kee
The first major catalogue published in English on the work of Korean group Dansaekhwa, who variously experimented with pushing paint, soaking canvases, dragging pencils, ripping paper, and other material manipulations. The exhibition was held at Blum & Poe, Los Angeles in 2014 and included artists Chung Sang-hwa, Ha Chonghyun, Kwon Young-woo, Lee Ufan, Park Seobo, and Yun Hyong-keun. The catalogue features an essay by Joan Kee, translations of key articles about the group, and beautiful new illustrations.
Publisher: Blum & Poe
Artists: Yun Hyong-keun
Publication Date: 2015
Dimensions: 9 x 11 in | 22.9 x 27.9
One of the most significant Korean artists of the twentieth century, Yun Hyong-keun (1928-2007) was born in Seoul and received his BFA from the School of Fine Arts at Hongik University in 1957. Over the next four decades, he developed a style of monochromatic abstraction that deconstructed the notion of painting to the repeated application of pigments across a surface.
All Yun Hyong-keun books