Diane Arbus: Untitled
Afterword by Doon Arbus. Edited by Doon Arbus and Yolanda Cuomo
Untitled is the only volume of Diane Arbus\s photographs devoted exclusively to a single project. The photographs were taken at residences for people with developmental disabilities between 1969 and 1971, in the last years of Arbus’s life. Although she considered doing a book on the subject, the vast majority of these pictures remained unpublished prior to this volume. These photographs achieve a lyricism, an emotional purity that sets them apart from all her other accomplishments. “Finally what I’ve been searching for,” she wrote at the time. The product of her consistently unflinching regard for reality as she found it, the images in this book have less in common with the documentary than with the mythic. Untitled may well be Arbus’s most transcendent, most romantic vision. It is a celebration of the singularity and connectedness of each and every one of us. For Diane Arbus, this is what making pictures was all about. This is the first edition in which the image separations were created digitally; the files have been specially prepared by Robert J. Hennessey using prints by Neil Selkirk.
Artists: Diane Arbus
Contributors: Doon Arbus, Yolanda Cuomo
Publication Date: 2011
Dimensions: 11 x 14 in | 27.9 x 35.6 cm
Reproductions: 51 duotone
Retail: $75 | £45
Stock: Out of Stock
Diane Arbus (1923–1971) is one of the most original and influential photographers of the twentieth century. She studied photography with Berenice Abbott, Alexey Brodovitch, and Lisette Model and had her first published photographs appear in Esquire in 1960. In 1963 and 1966 she was awarded John Simon Guggenheim Fellowships and was one of three photographers whose work was the focus of New Documents, John Szarkowski’s landmark exhibition at the Museum of Modern Art in 1967. Arbus’s depictions of couples, children, female impersonators, nudists, New York City pedestrians, suburban families, circus performers, and celebrities, among others, span the breadth of the postwar American social sphere and constitute a diverse and singularly compelling portrait of humanity.