Dan Flavin: A Retrospective
?Texts by Tiffany Bell, Michael Govan, Brydon E. Smith. Preface by Jeffrey Weiss. Forewords by Earl A. Powell III and Leonard Riggio
Dan Flavin (1933–1996) is considered one of the most important and innovative artists of the late twentieth century. The simplicity and systematic character of his extraordinary work, along with his relentless exploration and ingenious discovery of an art of light, established him as a progenitor and chief exponent of Minimalism. Uniquely situated outside the mediums of painting and sculpture, the majority of Flavin’s work after 1963 consists of art made from light.
This landmark book—the first retrospective publication of Flavin’s art since 1969—includes around 45 of the artist’s most important light works, beginning with a pivotal series of constructed boxes with attached incandescent or fluorescent lights, called “icons,” made from 1961 to 1963. Works spanning Flavin’s career are discussed in depth, including examples that integrate light with the surrounding space and show the particular characteristics of blended fluorescent light, large-scale installations, and constructed corridors. The book also includes reproductions of Flavin’s drawings, which show his thought processes and working methods.
New scholarship and interpretation of Flavin’s work appears in the form of three critical essays by experts, an extensive chronology, comprehensive bibliography, and exhibition history. In addition, Flavin’s seminal text “‘. . . in daylight or cool white.’ an autobiographical sketch,” originally published in Artforum in 1965, is included.
Exquisitely designed and produced, with many new stunning color reproductions, Dan Flavin: A Retrospective captures the brilliance of this artist’s contribution to and challenges of the art world and will be the authoritative volume on Flavin for years to come.
Publisher: Yale University Press
Artists: Dan Flavin
Contributors: Tiffany Bell, Michael Govan, Earl A. Powell III, Leonard Riggio, Brydon E. Smith, Jeffrey Weiss
Designer: Katy Homans
Publication Date: 2004
Dimensions: 9 3/4 x 11 3/4 in (24.8 x 29.8 cm)
Reproductions: 150 color, 40 b&w
Status: Out Of Print
From 1963, when he conceived the diagonal of May 25, 1963 (to Constantin Brancusi), a single gold, fluorescent lamp that is installed on a diagonal on the wall—a work which marks the artist’s first use of fluorescent light alone, until his death in 1996, Dan Flavin (1933-1996) produced a singularly consistent and prodigious body of work that utilized commercially-available fluorescent lamps to create installations, or “situations” as he preferred to call them, of light and color. Through the construction of light, Flavin was able to literally establish and redefine space.