Carol Bove: Ten Hours
Interview with the artist by Johanna Burton
Carol Bove: Ten Hours presents new work by “sculpture’s woman of steel,” as coined by Randy Kennedy in The New York Times. Her new sculptures expand on her investigations of materiality and form.
Characterized by compositions of various types of steel, Bove’s ongoing series of “collage sculptures,” begun in 2016, amalgamates theoretical and art-historical influences across time periods and disciplines. To create these lyrical and abstract assemblages, Bove pairs fabricated tubing that has been crushed and shaped at her studio with found metal scraps and a single highly polished disk. Luminous color is applied to parts of the composition, transforming the steel—more commonly associated with inflexibility and heft—into something that appears malleable and lightweight, like clay, fabric, or crinkled paper.
Bove’s new works are smaller in scale and elaborate on the “collage sculptures,” with more complex forms that twist, fold, and bend into postures that belie their material construction. She manipulates steel to varying degrees, rendering gentle folds in some, and extreme, almost anthropomorphic contortions in others. Their contrasting textures—matte, glossy, or rough—create a further sense of visual play, heightening the surface tension throughout.
This publication features a new interview with the artist by Johanna Burton. Published on the occasion of the artist’s solo exhibition at David Zwirner, Hong Kong, in 2019, Carol Bove: Ten Hours is available in both English-only and bilingual English/traditional Chinese editions.
Publisher: David Zwirner Books
Artists: Carol Bove, Spotlight Series
Printer: Asia One, Hong Kong
Publication Date: 2019
Dimensions: 6 ¾ × 9 ½ in | 17.1 × 24.1 cm
Reproductions: 40 color
Retail: $35 | £25 | €34
Stock: In Stock
Carol Bove (b. 1971, Geneva) is an American artist known for her simple yet intricate assemblages of found and made objects. Carefully arranged on pedestals, elevated platforms, or directly against walls and ceilings, these yield unexpected, poetic, and multilayered meanings, which seem to derive from the composition of the objects rather than the inherent substance of the individual components. Using a wide range of materials, including books, driftwood, peacock feathers, metal, concrete, foam, and loans from other artists, Bove’s works are subtle assemblages resisting categorization despite their determined relationships with modernist display methods.
Each title in the Spotlight Series from David Zwirner Books features new work by a leading contemporary artist. Available in both English-only and bilingual English/traditional Chinese editions, this series makes the work of these important artists accessible to a wider audience.